Shezad Dawood is not afraid in mixing media to create richly layered artworks that interweave and interrogate narratives, histories, realities and symbolism. We caught up with him recently to talk about his practice and the use of VR technology in art. Head over to our website to read the full interview.
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Artist Tiffany Chung’s work, cosplay is the identity of history. She used fictional roles of pop culture to conceal the bloodbath of the Vietnam War. It is playful and introspective approach to a sad past.
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COVID-19 has certainly changed the way we experience gallery visits, but it will take more than fogged-up glasses and hand sanitiser to ruin a great exhibition...
*NOW* a major showcase of Katie Paterson's work, is the perfect escape from the maddening existence that the pandemic has forced us in to. Read Here →
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The 2020 Taipei Biennial is a commentary on the 'increasing disagreement on how to keep the world inhabitable' as curators Bruno Latour and Martin Guinard explain. How to agree on a future, when the present diverges in political opinions and acceptance of geology and ecology?
The curators invite us to reflect on these questions whilst navigating a fictional planetarium in the form of an exhibition at the Taipei Fine Arts Museum.
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We spoke to artist Caroline Jane Harris about her latest body of work for her solo exhibition at Kristin Hjellegjerde Gallery Berlin, and its engagement with the distortion of time and space through the physical separation of individual moments. Read here →
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When was the last time you had a painkiller? Did you know the use of opioid drugs (aka painkillers) has claimed more than 400,000 lives in the US since 1999? Do you think art institutions should be responsible for the moral integrity of the companies that gift donations?
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How would you photograph or paint your mother? Caroline Walker’s first solo exhibition with Ingleby Gallery is of her mother Janet, who features in each of an impressive series of oil paintings. Read exhibition review here →
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"History takes a linear route, but when you pull history into an art project, the art refracts: these dishes became a catalyst to go somewhere else" explains artist Morwenna Kearsley on her current solo exhibition at the CCA, Glasgow
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The relentless pressure and pace of our capitalist reality means that most of us have become accustomed to moving through life at a hundred miles per hour. But perhaps being slow is perhaps more about reflection than stasis. Read article here →
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During the summer of COVID-19, it seemed like physical experiences of art were put on hold, with most engagement remaining online. Yet, in the midst of it all, the Glasgow-based artist David Sherry carried out a series of performances right in the middle of the High Street
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